Here are some images from the show:
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Happy Dhlame invites you and your friends for the opening at Maps (Harrie's Pancake) the 23rd August at
Map-South Africa-Pretoria Happy Dhlame VIOLENTLY HAPPY
Opening Reception:15h00 Saturday
Destination: Harrie's Pancakes,
T: +27 12 342 3613
Hours: Mon-Sun 9am9pm
Workshop Dates: 26 September to
DEADLINE FOR APPLICATIONS:
THUPELO INVITES YOU TO APPLY FOR A FOUND OBJECT WORKSHOP WHICH WILL BE HELD in
from Friday the 26 of September with an open day exhibition of work in progress on Saturday the 11th of October. Thupelo workshops are artists led and are initiated in response to a need for interaction between artists. This workshop will include 20 artists; all with experience in their various practices and able to experiment, exchange ideas and skills and expand their practices.
Robert Loder
Please see our website to view previous workshops. www.greatmoreart.org
E-mail: artmore@mweb.co.za
or
The
7915
Tel: (027) 021 447 9699 Fax: (027) 088 021 447 9699
E-mail: thupelo@greatmoreart.org.za Website: www.greatmoreart.org
Opens: Tuesday 5 August 2008 at 6:30 pm
Closes: Sunday 13 October 2008
Dinkies Sithole is the second artist in he current incarnation of the project room now appropriately called the Nando's Project Room. Sithole is a Soweto-born artist whose work traverses painting, sculpture, performance, video and other media.
The current installation is called Shrine Rituals and comprises a series of shrines made out of discarded materials. The objects in these shrines are re-invested with energy and potency. Here the scientific conception of energy meets the more universal idea of energy as something more metaphysical. For instance, many people in
In these shrines the batteries, which are products of science, are not out of place with the miniature Buddha's, rosaries, bottles of 'umuthi' and the coloured string, often used by ZCC adherents for protection.
Sithole works bring together different beliefs both old and new, belief in science and in spirits, religion and animism. But is that not the beauty of art: that it allows for the reconciliation of these seemingly antagonistic beliefs?
Rites of Fealty/ Rites of Passage
A one-night exhibition of performance art
Date: 18h00, Tuesday, 29 July 2008
Venue: Bag Factory Gallery, 10 Mahlatini Street, Fordsburg, Johannesburg
The Bag Factory’s About Art program presents ‘Rites of Fealty/ Rites of Passage’, a one-night exhibition of new performance artworks by a group of emerging South African artists. The exhibition follows an intensive 10-day workshop in performance art presented by Johan Thom. The workshop was structured as a non-hierarchal laboratory, with each of the artists selected for participation already having established a visible presence in the South African cultural sphere. Artists like Ismail Farouk, Anthea Moys, Kemang wa Luhere and Murray Turpin all share in a multi-disciplinary approach to artistic expression, freely mixing elements of fields as far as urban geography, digital sound sampling, video, public performance, dance and theatre into their oeuvres.
New works have been commissioned by each of the participating artists.
Artists include:
Bronwyn Lace, Nadine Hutton, Anthea Moys, Mlu Zondi, Ntando Cele, Rat Western, Ismail Farouk, Murray Turpin, Kemang wa Luhere, Dinkies, Sithole, Johan Thom
The theme ‘Rites of fealty/ Rites of passage’ stresses the transformative capacity of art where the artwork is envisioned as a rite of passage through which both artist and viewer may plot alternatives to existing modes of relating to our familiar surroundings, ordinary social interactions, physical gestures and use of language. In this way art may act as a gateway that embodies the possibility for personal and societal change through direct action and physical participation.
The workshop and exhibition is made possible by:
The Ford Foundation
The Bag Factory
Special thanks to the Nirox Foundation
The exhibition is curated by:
Johan Thom
Bronwyn Lace
Contact details:
info@bagfactoryart.org.za (email)
+27 (0)11 834 9181 (tel)
Empty Office invites collectors of local art to deposit pieces from their private collections into the Joburg Art Bin at the Bag Factory for “creative recycling” between the 18th of July and the 1st of August 2008.
A team of artists, in consultation with the collector depositing the work, will dismantle the work and use the physical detritus to develop proposals for public artworks to be installed in
The central idea behind the project is to invite collectors to democratize their art collections by donating pieces of it to the public realm. Empty Office argues that because of the increasing commercialization of the visual arts, cultural production is essentially becoming privatized and controlled by capital. The project is radical in the sense that it asks collectors to depart with work they may treasure in order to invest in the idea of art rather than material instances of it. There are many reasons why an art collector may feel motivated to donate work to the Joburg Art Bin: they may feel that a piece is obsolescent, reached its sell-by date, that it is ideologically problematic, that it has potential to be shared with a broader community, or a collector may just be curious about what happens to piece of art that they own is dismantled by another visual artist.
We are interested in how art objects are remotivated in new contexts, specifically in how the lives of objects change as they move from the private into the public domain. In this sense, the project is neither nihilistic nor anti-aesthetic but rather celebrates the contribution that artists make to culture, by asking artists to materially intervene directly on the artworks that collectors have donated to the Joburg Art Bin.
Participate in maintaining the dynamism of contemporary culture by depositing a piece from your private collection at the Bag Factory at our opening event at 17h30,
How do Southern African writers, artists, choreographers, musicians and theatre-makers see their art in the context of the society they live in? What are the fundamental issues of their countries, and what ideas do they have for solving them?
In 2008, the foundation kunst:raum sylt quelle, in cooperation with the Goethe-Institut Johannesburg is launching the “sylt quelle cultural award for
Artists may apply with a project that will link culture and society, creating a context in which culture will have an impact on social structures and attitudes. The winner/winners will receive an award of 10,000 Euros, which must be used to finance the proposed project.
Selections will be made by an independent jury in a two-stage process.
The realized project/projects will be presented at the Goethe-Institut Johannesburg , the kunst:raum sylt quelle in
Applications may be sent to the Goethe-Institut in
- a Curriculum Vitae and description of your career as an artist
- a detailed description of your project and a binding budget plan
- samples of your work
To simplify the selection process, we ask that all applications be by email or CD. Other forms of documentation will not be considered. Application material will not be returned. All decisions of the jury are final, reasons for rejections will not be disclosed.
Applications should be sent to:
Goethe-Institut
kunstpreis@johannesburg.goethe.org
Further information:
www.goethe.de/Johannesburg
www.kunstraum-syltquelle.de
Deadline:
ULI: Journal of Visual Arts and Culture is a referred academic bi-annual publication of the Department of Fine and Applied Arts,
The publication aims to critique and document contemporary developments in the visual arts and culture of
Well-researched papers are invited for the first issue to be published in December 2008.
Historical, critical, art educational, and other scholarly articles on modern and postmodern tendencies in the art and visual culture of
Articles should be typed and double-spaced on A4 paper and should not exceed 20 pages. Reference should conform to the Harvard style. Photographs and illustrations should be clear enough for print reproduction; poor quality photographs will not be accepted.
Submissions can be sent in hard copy by post or in soft copy via e-mail. Although materials are accepted all year round, the deadline for submission for the maiden issue is
All correspondences to:
Dr. Ozioma Onuzulike
Department of Fine and Applied Arts,
Nsukka.
E-mail: oozioma@nsukkaartschool.info
Uli-journal@nsukkaartschool.info
Bronze Casting Workshop over two weekends: 5 - 6 July 2008 and 12 - 13 July 2008, starting at
Interactive Panel Discussion:
The Bronze Casting workshop will take place on the weekends of the 5th and 6th as well as the 12th and 13th of July.
Participants need no previous casting experience and age is not a criteria. The number of participants is limited to 10 for logistical and transport reasons, we run on a first come first serve basis. Please book with Bronwyn on 011 834 9181 or bronwyn.lace@gmail.com.
Cost R 800 per participant - this would include wax, modelling tools, all the process that is not part of the workshop, namely, the gating and investing of the wax positives, the burnout of the wax - melting and alloying of the bronze, pouring and finishing. It also includes some snacks and transport to the foundry.
The weight of our object will have to be about 3 kg or the size of a mans fist.
Wax positives will be made at The Bag Factory on the weekend of the 5th and 6th, if you complete your positive on the 5th there is no need for you to come on the 6th.
One week is necessary for the gating and investment, to be done in Zwavelpoort studio.
Burnout, casting and finishing at Zwavelpoort studio on the weekend of the 12th and 13th, we'll all travel to the studio together where we'll have a bring and braai to end it off.
The workshop is facilitated by the artists of the Marvelous World team, this includes Guy du Toit, Sarel Petrus, Paul Cooper and Richard Forbes.
For any questions please contact Bronwyn at The Bag Factory on 011 834 9181
The Bag Factory,
Tasks involve assisting on all aspects of Gasworks’ Exhibitions Programmes. In this role an intern will gain valuable experience of working alongside the curator on solo and group exhibitions, research projects, and events, with an insight into the organisational and administrative skills necessary to run a leading artistic programme.
Please read more about the Exhibitions and Events on Gasworks’ website before applying.
Internship duration: ideal commitment of six months on a two-day a week basis. The days can be flexible.
The intern will be responsible to the Exhibitions Curator and will have excellent communication skills, be enthusiastic, organised, autonomous and hands on, with an ability to problem-solve. An interest in research-oriented and discursive practices, film and performance is particularly relevant to this position. Good writing skills are preferable.
Tasks and experience gained may include:
- Assisting artists and liaising with them on a variety of projects
- Organising events
- Sourcing material and equipment
- Supervising installations and in some instances contribute to them
- Liaising with the Audience Development Co-ordinator and designers
- Undertaking research for and contributing ideas to certain aspects of the exhibitions, the events, the reading area and the bookshop
- Drafting texts
- Helping to organise local and international transport of artists as well as works
- Collating expressions of interest in the exhibitions programme and responding to requests
- Filing, documentation and archival responsibilities
- Helping at the level of fundraising and seeking sponsorship
Please send a cover letter and CV by email ONLY:
Anna Colin | annacolin@gasworks.org.uk
This is an unpaid position, however paid work may arise on an ad hoc basis.
Gasworks is committed to equal opportunities in recruitment and employment. We welcome applications from people from ethnic minorities. Disabled applicants who meet the role specification will be guaranteed an interview.
Deadline: Friday 13 June, 5pm
Interviews:
Starting date:
For more information about Gasworks: see website
APPLICATION PROCEDURE:
To apply, please send:
1. Résumé (CV)
2. A brief motivation of not more than one (1) page, dealing with (a) your personal philosophy and (b) why you wish to participate in this workshop
3. 10 images of your recent work
4. If you are applying from abroad, please state whether you are able to raise funds for your air
travel to/from Namibia·
Preferably please send your application by email. Attachments should be in MSWord, Jpeg or PDF format.
If you send your application by post, please send no originals. Include a self-addressed
envelope for return of mailed material if required. Ensure sufficient, valid postage.
· No faxes will be accepted.
· Deadline:
Address:
hviljoen@unam.na
Prof Hercules Viljoen
Visual & Performing Arts Department
Private Bag 13301
EASTinternational is an open submission exhibition that takes place at Norwich School of Art and Design. EASTinternational is part of Contemporary Art Norwich produced by the
Closing Date Friday
Selectors EAST 09
Raster Gallery
Lukasz Gorczyca and Michal Kaczynski run Raster independent art space in
Art & Language
EAST 09 will be selected by Michael Baldwin and Mel Ramsden of Art & Language. The name Art & Language was adopted in 1968, to refer to a collaborative practice that had developed over the previous two years. The journal Art-Language was first published in May 1969. By the mid 1970s some 20 people were associated with the name, divided between
Downlaod English Version of EASTinternational 2009 Application Form
The Bind/Ontbind (series 1) video installation, first presented at the 2003 Venice Biennale - as part of the exhibition 'Recycling the Future: Viverevenezia2' - is an extension of a sculptural process where Thom binds or wraps objects with rope, tape, plastic, etc. The artist writes that, 'For me, the work is a metaphor for the constant processes of decay and of regeneration, of affirmation and negation - for example, the way various identities and ideologies bind themselves to us. They may disfigure us, but whenever we attempt to replace them with new systems of thought we are in fact simply disfiguring ourselves anew: this is the void - our inability to exist without disfiguring ourselves and others through our limiting gaze.'
Thom (b 1976) lives and works in
Opens: May 13
Closes: June 8
The Bag Factory is looking for suitable individuals to fill three, three month part-time internships at the artists’ studios. The interns will be involved with three specifically focused aspects of the running of the organization:
- Administration
- Education Programme/Exhibition Logistics
- Marketing, Design and Website
Administrative Intern
The administrative intern will be required to assist in the day to day running of the office including answering phones, running errands and assisting on the running of the international residency programme.
Requirements:
Passionate about the Arts and a keen interest in arts management
Computer Literate
Familiar with MS Office: Word; Excel, Outlook etc.
Good Communications Skills
Basic competency in office work
Self Motivated
Own transport a benefit
The education programme/exhibition logistics intern will be required to assist the education officer in the facilitation of educational workshops as well as help co-ordination exhibition logistics.
Computer Literate
Familiar with MS Office: Word; Excel, Outlook etc.
Good Communications Skills
Self Motivated
Own transport a benefit
Experience in workshop/exhibition co-ordination a plus
Marketing, Design and Website
Computer Literate
Familiar with MS Office: Word; Excel, Outlook etc.
Basic experience with design programmes: Photoshop, Dreamweaver, Freehand
Good Communications Skills
Self Motivated
Commercial experience with print and web design a plus
Remuneration will be discussed during the interview process.
Please send your CV and a letter of motivation (in which you state for which of the internships you would like to be considered) to:
info@bagfactoryart.org.za
Short listed candidates will be called for interview dates by